[Episcopal News Service] This is no ordinary canoe. The boat, formerly a large cottonwood tree, is known as a “dugout,” and over the past year its carving has been the project of the Indigenous cultural organization Naknuwithlama Tiichamna, or Caretakers of the Land, with financial support from the Diocese of Eastern Oregon. The Caretakers of the Land’s laborers turned the tree into a hand-carved dugout canoe to raise awareness of ongoing threats to Indigenous cultural knowledge while preserving some of the traditional ways of the region’s Native American tribes and promoting intergenerational healing. Over the summer, Caretakers of the Land tested the newly carved dugout on the Lower Snake River and Wallowa Lake, near where the original cottonwood was felled. In a project update shared last week by the Diocese of Eastern Oregon, Bobby Fossek, co-director of Caretakers of the Land, said the canoe had been given the name Sapalaxsimithla, which translates to “One Who Causes Oneness/Togetherness.” “This is an effort that began many generations before us, and the ripple it makes will be felt many generations from now,” Fossek said. “Displacement, violence, manipulation of waterways, declining fish runs and the forced assimilation into extractive and industrialized ways of living nearly severed our ties to much of our land base, waterways [and] each other.” Caretakers of the Land’s partnership with the diocese goes beyond the canoe project. The organization also manages a habitat restoration project at the diocese’s Ascension School Camp and Conference Center and advises the diocese on anti-racism and environmental stewardship issues. The camp hosts cultural immersion camps organized by Caretakers of the Land, and the diocese gives about $20,000 a year to the organization and provides additional support with administrative and financial management, the Rev. Amy Jayne, the Ascension School executive director, told Episcopal News Service by email. “Our repudiation of the Doctrine of Discovery is central to our work with Caretakers of the Land,” Jayne said. She referred to a 2022 diocesan resolution that lamented the church’s historic complicity with colonial-era doctrines that assumed European superiority while justifying white domination over Native Americans in the spread of Christianity. The Episcopal Church has grappled with the legacy of that doctrine for decades. In 2009, General Convention approved a resolution saying it “repudiates and renounces the Doctrine of Discovery as fundamentally opposed to the Gospel of Jesus Christ and our understanding of the inherent rights that individuals and peoples have received from God.” For the dugout canoe project, Caretakers of the Land also received funding from the Wildhorse Foundation, the Ataw First Foods Fund and the Bisbee Foundation. That support allowed the organization to form a team of experienced carvers and volunteers, who spent last winter carving the tree into “a work of art” and a canoe that “navigates the water very well,” Fossek said. “Throughout the carving process, many synchronistic and long-lasting friendships were formed and strengthened with regional leaders, inspired individuals, and organizations that we feel are part of this current transition to a more relationship-based and holistic socio-economic system,” he said. Tribes that call the region home include the Umatilla, Palus, Cayuse, Walla Walla and Nez Perce. Fossek, a member of the Walla Walla band, said his dugout team already has taken several tribal groups out on the water “for connection and team building,” as well as hosting non-Indigenous groups. Fossek told the news website Wallowa County Chieftain in March that he got the idea for the project from his grandmother, who wanted to preserve ancestral crafts for future generations. The funding from the diocese and other backers allowed Fossek and fellow co-director Brosnan Spencer to buy tools for the project and to pay the experienced carvers who worked on the dugout. The project has helped Caretakers of the Land develop the knowledge that will enable additional programs connected to the water and tribal customs. “We are now in the position to help expose people to the dugouts, build them with and for other tribes, and offer wholesome experiences including the cultural arts we have been learning and teaching over the years, the habitat management and the canoes,” Fossek said. The diocese continues to raise money to support Caretakers of the Land as it pursues its vision of Indigenous cultural education. – David Paulsen is a senior reporter and editor for Episcopal News Service based in Wisconsin. He can be reached at dpaulsen@episcopalchurch.org.

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[Episcopal News Service] Trinity Episcopal Church in Houston, Texas, will host a “Celebrate the Feast” bilingual Latin American Signature Music Mass on Sept. 6. Texas Assistant Bishop Héctor Monterroso will preach. The special service is both a celebration of sacred music traditions from Latin America and the Latin American diaspora and a celebration of the 30th ordination anniversary of its rector, the Rev. Hannah E. Atkins Romero, the first woman ordained a priest in El Salvador. She has been serving as Trinity’s rector since 2007. The service will include prayers for migration ministries and justice for migrants. “We’re wanting all of the songs to reflect Latin American culture and history and be a celebration of the values and goodness that immigrants who are being persecuted in our country now bring to our country,” Romero told Episcopal News Service. “We couldn’t fit every country in Latin America, but there will be a good sampling of genres and classic and contemporary traditions.” Plans for the Latin American Signature Music Mass began in January, after Monterroso was scheduled to make his official bishop’s visitation to Trinity on Sept. 6, which also is Romero’s ordination anniversary. Monterroso and Romero have been good friends since they first met in El Salvador in 1996, the year Romero was ordained. The prayers and music, which will be directed by church musicians Ernesto Vega, Sandra Montes and Paul Mortilla, will reflect the service’s theme, “Cuando el pobre crea en el pobre” – “When the poor believe in the poor.” Trinity’s choir, instrumentalists and musical guests will additionally perform the premiere of two commissioned works composed by Trinity music ministry members, “Trinity Cha-Cha-Cha” by Ernesto Vega and “Canto de Hannah” by Angela Ortiz. “We’re blessed with so many talented musicians here at Trinity, and I’m proud to call them my friends,” Romero said. The service will mostly be in Spanish and English, but one Brazilian musician will sing the hymn “Our Father of the Martyrs” in Portuguese to include Brazil, the largest country in Latin America by population and land area. The service will end with singing a Swahili arrangement of “Siyahamba,” a South African hymn originally written in Zulu, to acknowledge Africa’s heavy influence on Latin American culture, including music. “It’s an embrace of different cultures and a reminder that the church exists not only for itself, but for the sake of the world,” Monterroso told ENS in a phone interview. Dedicating the service to migrants was important for Romero because, she said, “so much has happened lately in Houston.” In July, for example, Lorenzo Salgado Araujo, an undocumented immigrant from Mexico who has lived in the United States for 35 years, was shot and killed during a traffic stop in Houston, Texas, while U.S. Immigration and Customs Enforcement, or ICE, was searching for another individual. As the co-founders of the Houston Migration with Dignity Coalition, Romero and her husband, Elmer Romero, an El Salvador native, led prayer vigils for Araujo and his brother, who was recently released from ICE custody. Prayers will also be dedicated to migrants who are in the United States under a federal program known as Temporary Protected Status, or TPS, that has long been supported by The Episcopal Church. It allows the Department of Homeland Security to declare certain foreign nationals protected from deportation if they would face hazards in their home countries from conditions such as natural disasters, civil unrest or other violence. Romero noted that TPS for El Salvador is scheduled to end on Sept. 9, and work authorization for certain Venezuelans under TPS is scheduled to end on Oct. 2. The Latin American Signature Music Mass, Romero said, is her ministry’s latest protest – a “joyful protest.” “We wanted to do something joyful in a time of terror and murder and oppression, not in a Pollyanna way, but to come together and still proclaim that God’s love and inclusion is stronger than all the hate and rhetoric out there,” Romero said. Protesting through Latin American music is “appropriate,” according to Monterroso, because their melodies and lyrics have historically been performed as expressions of resistance. “The music is joyful, but it also comes from communities that have learned to sing through suffering, struggle and hope, and I think that understanding has been an important part of Hannah’s formation as a priest and experience in life,” said Monterroso, who is Guatemalan and previously served as bishop of the Anglican Diocese of Costa Rica. “As a priest, many times you must lead pastorally people who suffer and struggle, but at the same time are waiting for hope. …It feels completely natural that the words and rhythms will carry our prayers on this special day.” -Shireen Korkzan is a reporter and assistant editor for Episcopal News Service. She can be reached at skorkzan@episcopalchurch.org.

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Three years on from the outbreak of conflict in Sudan, millions are in crisis. Anglican leaders are calling for renewed prayer, the protection of civilians and urgent humanitarian access. 

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Bishop Robert will work closely with the National Safeguarding Team, which provides specialist expertise on casework, policy development, training, evaluation and survivor participation.

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